![so baby pull me closer in the back seat of your rover that i know you can so baby pull me closer in the back seat of your rover that i know you can](https://i.ytimg.com/vi/tS-IcJbLiL8/maxresdefault.jpg)
DJ Snake used similar vocal samples on his collaboration with Lil Jon, “ Turn Down for What.” The crossover dance/hip-hop track reimagined the squeaky, haunting “chipmunk soul” sound of RZA, Kanye West and Jay Z that was ubiquitous in the ’00s. Seemingly unfit for pop radio, Skrillex and Diplo reference well-established techniques from hip-hop. On first listen, it’s a sonically bizarre song. When the pop-drop lands, we’re left with an insane dolphin-like squeal, pulled from the essence of Bieber’s voice in a call and response, that echoes past vocal phrases, and drives home the song’s title: “Where are you now that I need you?” Skrillex and Diplo’s collaboration as Jack Ü premiered this new sound with “ Where Are Ü Now.” On the track, Bieber leads us through a conventional verse, over which Skrillex gradually re-pitches, distorts and augments Bieber’s voice until it’s completely transformed. To reclaim and sustain his status as a chart-topper when he was at his musical and personal low point, grown-up Bieber desperately needed a new image and sound.īieber’s admittedly smooth, listenable tenor could unite the power climax of EDM with familiar pop song structures. Producers like Skrillex, Diplo and DJ Snake found their perfect candidate in Justin Bieber.
![so baby pull me closer in the back seat of your rover that i know you can so baby pull me closer in the back seat of your rover that i know you can](https://images.cdn.circlesix.co/image/1/700/0/uploads/posts/2016/11/6c12d1aa4ac638d8ed9baf6ac081edb3.jpg)
But because instrumental music fares poorly on the charts ( “The Harlem Shake” aside), producers looking to cross over into pop needed a vocal star to sneak the sound into the mainstream.
#So baby pull me closer in the back seat of your rover that i know you can't afford song full
It’s why arenas full of people suddenly start jumping up and down. So baby pull me closer in the backseat of your Roverīut The Chainsmokers are not just borrowing from themselves they’re adapting a sound that grew out of ’70s rock and developed in the 2010s through the EDM festival anthem: simply called “the drop.” It is the moment of instrumental build when the bass and rhythm hit hardest. Let’s take a closer look at “Closer” to see how the pop-drop works: And it will burst out two or three times before the song comes crashing back down into silence. All set up, right around 1:15-1:25, the pop-drop takes off. Then the minute or so of pre-chorus and pseudo-chorus light up the engines. 1 “ Closer” all put the pop-drop front and center, with the calculated deployment of a NASA launch: A 10-count intro, followed by a perfunctory 20 seconds of narration. “Roses,” “Don’t Let Me Down,” “All We Know” and their 12-week Hot 100 No. In 2016, about two out of every 10 songs on the Billboard Hot 100 contained a pop-drop, but for the moment, The Chainsmokers are the undeniable pop-drop champions of 2016.